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International Review of African American Art 

Innovation Edition

Editor Vanessa D. Thaxton–Ward, Ph.D., Juliette Harris Executive Publisher William R. Harvey, Ed.D. “The Marriage of Art and Science”, Clark D. Baker III, M.D.

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This publication brings together a collection of UP Projects' work from the past 20 years. .....We value artistic excellence and innovation, seeking to represent the height of ambition, talent and skill whilst also challenging convention, supporting risk taking, and testing new ideas in the physical and digital realms. Our projects strive for relevance and encourage openness to ensure our work is accessible - conceptually, physically, geographically, economically,

Negotiating Caribbean In/securities through Creativity

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I AM MILLI: Ikonografien des Schwarzen Feminismus Kelly, Natasha A./ Kupka, Mahret Ifeoma/ Achan, Malonda/ Hoeder, Ciani-Sophia/ Dudley, Michaela Verlag: Orlanda Buchverlag UG, 2022 ISBN 10: 3949545271 / ISBN 13: 9783949545276

Hogarth and Europe
Tate Publications

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The Wake
Dakar Biennale

Empowerment
art and feminisms
Kunst Museum Wolfsburg

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PROTOCOLLUM
Dickersbach Verlag

Neue Rundshau

S Fisher Verlag

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C&
America Latina

This issue invites organizations, artists, and activists from Black and Indigenous perspectives to discuss, contextualize, and reflect on the relationship between neocolonial structures and the climate crisis in their local contexts.

MUSAFIRI
Haus der Kulturen der Welt

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Deutsche Bauzeitschrift

Natalie Scholder.

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Premio Ora

Competition winners published Selected by 40 Italian galleries

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European Journal of Cultural Studies

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British history at Tate Britain post-Brexit: Rich, white men and space invaders

Catherine Hahn University of Kent, UK

Mapping Black Europe

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Progress in Human Geography

Steven Puttick Department of Education,

 

University of Oxford, Oxford, UK

Dreams of Dakar

The 15th Biennale of Contemporary African Art in Senegal evokes postcolonial wounds while fostering ebullience.

By Eve Hill-Agnus

November 22, 2024, 12:22 pm

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Online Publication

Dak'Art 2024. Still a Powerful Platform for Critical Dialogue around Art, Ecology, and History

Haja Fanta takes a look at the long-awaited biennial, questioning its conceptual coherence while admiring its composition and drawing out its continued importance. By Haja Fanta
20. November 2024

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Angela YT Chan


With this British Art Studies Cover Collaboration feature, which responded to the theme of ‘British Art and Natural Forces’ proposed by the journal’s editors, I brought together four artistic practices of Sonia E. Barrett, The Bonita Chola, Michael Leung and INTERPRT, alongside my own. They highlight diverse activities among international, socially engaged, creative practices that relate to the core conversations on justice in environmental and climate issues. My curatorial statement here critiqued the meaning of ‘British’ arts, especially in the context of climate themes, as I reflected on the arts sector in 2020. I outlined art worker struggles in light of years of government defunding, the pandemic, Brexit and the exceptionalism on the empire trained the state to hold in face of crises.
https://angelaytchan.net/

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Exhibition
Sonia E. Barrett: Sculpting More Community

alpha nova & galerie futura, Berlin, Germany
13 Nov 2023 - 13 Jan 2024

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Tate Britain collection rehang: this is a masterclass in how to refresh a museum.

The last 10 years have seen seismic change, and the gallery has dealt with our new ways of seeing with aplomb 

Ben Luke

23 May 2023

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Tate Britain’s rehang puts politics before art

Jackie Wullschläger

Published May 24 2023

9 June 2023

At Tate Britain
Daniel Trilling
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Tate Britain's rehang: “A journey of different perspectives”.

By Sophie Turner

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BEZIEHUNGSGEFLECHTE

Oliver Hardt über „Le Sel Noir. Perspektiven Schwarzer Gegenwartskunst“, Städtische Galerie Villingen-Schwenningen

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Gareth Harris

24 November 2021

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